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PILSEN Kenneth Morrison, native of greater Jackson, MS, and longtime Chicago resident, is the progenitor of the Pilsen Saint Patrick's Day parade, a five-year-old ragtag affair I had the pleasure of marching in this year. As upstart parades go, it was a beauty, beginning in the backyard of Morrison and company's digs at Canalport and Halsted and proceeding up Halsted to 18th and west to the Jumping Bean Cafe at 18th and Bishop, then back. Morrison, with just a twinge of a southern drawl, says, "My basic belief about all of this is that there are no spectators, only participants. I believe that about most things in life." Hell of a way to spend a Sunday, anyhow, whether you identify as Irish or not. And I was struck by how easy it came off, how effortlessly the affair unfolded, and this in spite of the lack of any sort of permit. As Morrison says, "We're not hurting anything--we move to the side of the road if cars really want to get by. Most of the time if a car honks it's like beep b-beep b-beep-beep -- a celebration. They're with us, not angry at us." And you can do it too. Morrison and other of the parade regulars suggest essential elements, as follows. 1. Priest. Though Sinn Fein got snubbed by the Bushies this year, the Pilsen parade's acting priest, trial lawyer and activist Jerry Boyle, is adamant about the group's full welcome here. "In fact," he says, "they're even represented. I'm a member of Friends of Sinn Fein."
2. Rabbi. "James Joyce thought the Irish were doomed as a people," the priest continues, index finger brandished like a weapon. But his temper turns as he adds in a gentle, almost grandfatherly tone, "But they were a nomadic people, and the only European country to never persecute its Jews." Today's acting rabbi, a character know around the neighborhood simply as Ffej, turns out to be quite the spiritual guide to the day's proceedings. 3. "Music is essential, preferably played by freaks," Ffej the rabbi says, his voice somehow both gruff and whiny. Today it's Chicago's "favorite marching band," he says, Environmental Encroachment (aka EE), whom you might recognize if you've been at any of the ubiquitous war protests around Chicago over the past few years. They're dressed to the nines in costumes and with toms, trombone, trumpet, alto sax, and all in all a fantastic marching medley of tunes like "When the Saints Go Marching In" and the occasional free-form drone. But the rabbi adds, "boom boxes will do as well. Preferably more than one."
4. Bikes. For the first time at the Pilsen parade, the Rat Patrol, the seminotorious Chicago freak-bike gang, supplied custom-built tall bikes, decked-out humans to ride them, and boom boxes. Loudspeakers rigged to baskets on the front of certain cycles pump out crowd-pleasers to complement EE's marching music. 5. Booze. Lots of it, as the rabbi explains it. But also Diet Coke, though there's never enough for his liking, he says, thinking hard on it, hand to his chin. "Yeah. Most people bring booze," he concludes. Morrison, who marches with what amounts to a three-foot test tube full of a Bloody Mary, says, "I always pay tribute to Mary Queen of Scots on Saint Patrick's Day." 6. Intellectual clarity. "We didn't like the way the city and the south side were going around celebrating Saint Patrick as this 'liberator' of the Irish people," says Morrison, "crediting him with 'driving the snakes out of Ireland.' We all know there were and are no snakes in Ireland--it's a cold climate--so what really happened was that Saint Patrick eliminated the Druidic matriarchy and replaced it with the papal patriarchy. So you can tell we're all feminists, right?" 7. Costumes. In addition to a priest and a rabbi, today we have a storm trooper of the apocalypse (in battle gear), a masked Polynesian grandfather on a pedal-powered wheelchair, a green cowgirl with built-in horse (a carousel horse said cowgirl found in an alley split neatly down the middle fashioned around her waist), and etc. 8. Floats. "You need the chariot of the slobs," says the rabbi. "You need the shrine of the unknown catholic school girl"--a keg on wheels festooned with green streamers and outfitted with a wooden cross as tap handle, around which is placed the upturned legs of said schoolgirl, the bottom half of a mannequin of obscure extraction, feet in socks and all. The priest dubs this contraption the "Holy Troika," for equally obscure reasons, and today, for the first time in the Pilsen parade's history, said troika did not make it, breaking down just as it pulled out from the alley behind Morrison's house. Essentially, the two bikes to which its cast-iron and wooden frame were attached weren't sufficiently, well, attached. "That's the last time I delegate that responsibility," Morrison says. On the other hand, the requisite rolling bonfire is in full effect, a tradition in Pilsen. "Being true Irish, as we are," Morrison says, "we love fire."
9. Cultural relativity. Morrison says, "And of course being in a Mexican neighborhood, we're very happy to yell, 'Viva San Patricio!' Tip our hats to the neighborhood. Actually what really gave me the idea for this was finding out that Pilsen was originally something of an Irish neighborhood. And there's not a party between New Year's Eve and June and around this time everyone has their doldrums. This becomes an easy way to force social engagement, which I like." The parade sets off by 3:30, or maybe it's later, hard to say...by sometime in the afternoon, anyway, Morrison emerges from his house in a hippy wig and oversize motley top hat, joins the assembled party and leads us forward with a jubilant "Happy Saint Patrick's Day!" then striding into the street bedecked in a vaudevillian outfit and with his shepherd's staff raised high, in his other hand the three-foot-deep test tube of a Bloody Mary. He dances us north past the Sunday-shuttered art galleries and otherwise abandoned storefronts of Halsted Street. And this might seem like an insular crowd from what I've told you thus far, but there are people from all over the city here. Cars honk in cheer as they pass us, and those backed up behind us on this side of the street, well, they wait, mostly patiently -- though a couple cops do fly by and off to more threatening infractions, I guess. But after we turn down 18th, heading west, the mood shifts noticeably. Our parade quiets. The street's more crowded with cars, for one, and as we approach the old Saint Procopius church a passel of locals to this more solidly Mexican section of the neighborhood stands gazing on from the sidewalk -- the looks on their faces are not necessarily pleased, you might say. Looking into their eyes one might sense a vague bewilderment tinged with quiet but respectful derision, waiting to be swayed, maybe. Morrison is prepared. He raises his Bloody Mary test tube high and belts, "Viva, San Patricio! Join our parade!" doing a slow-circling dance and now the children and fathers and mothers on the sidewalks are beginning to smile, a man outside a liquor store raising his own brown-bagged forty-ounce and gleefully saluting. "Viva San Patricio!" yes, I'm screaming stupidly and smiling. And we all join the chorus, one of the Rat Patrol cyclists pedaling ahead and now cranking up the Sugarhill Gang classic "Rapper's Delight" on his front basket-mounted loudspeaker. This is celebration, a precious commodity in our time. And all Irish jokes aside, it's celebration for it's own sake. And it's beautiful. Thousands dance in the street... OK, there's not even fifty of us standing now outside the Jumping Bean Cafe at Bishop, and the few brave kids on the sidewalk who marched along with us past the church quickly got bored and took off -- but the possibilities in this are endless. That's what counts.
10. A caged leprechaun. The rabbi claims this is optional, but the priest vehemently disagrees. The leprechaun, this year played by Mr. Brant Veilliux, admits he wasn't prepared for the ritual pokings and proddings he received at various points along the parade route, but otherwise feels lucky as ever. He says, "I didn't even have to walk." Finally, the rabbi says that if you can find some children, keep them away from the leprechaun -- he gets hungry, you see -- but definitely bring them along on the march. Preparations for passing the torch, as it were. The fate of the Pilsen Saint Patrick's Day parade lies with them, of course. Morrison's got a model in Mal's St. Paddy's Day Parade, the Jackson institution he saw the meager beginnings of. "Back home in Jackson, the problem is there is absolutely no fun offered you at all. You have to create your own. Some friends of mine -- mainly Malcolm White -- started a parade down there a long time ago, which is now the official city parade. We were marching down the street almost 20 years ago with a red wagon carrying a keg -- Malcolm actually trademarked it and made a lot of money off of it. It's huge." Though Morrison's aims are much more meager in that respect. "We'll continue to do it as long as I'm in the city, I guess," he says. At the gathering at his place afterward, to recoup costs for the food and booze, a plastic pig missing a leg was passed around for donations. The priest, as ever dictatorial, made the rounds through the place, entreating partygoers to "feed the pig." CANADA Todd Dills is the editor and publisher of THE2NDHAND, which brings you this neat sort of "editor's corner" or "letter from the..." or what have you, winged mightily by Mr. Dills -- who most certainly loves you, and love being the product of communication, maybe... -- and launched every other week, we hope, for your reading pleasure. E-mail Dills at will by clicking on that word, yes, back there. He loves to hear from you. 032005 Books by Todd Dills: ALL HANDS ON: A THE2NDHAND READER Like placing your ear beside some kind of magical, future radio and listening to the shocking world of the strange and new.... ALL HANDS ON, an anthology of new work and old, features the best of the magazine and a look at what may stand as the underground lit world's most interesting contemporary writing. --Punk Planet THE2NDHAND has been the most exciting literary vessel in Chicago, opening a comfortably padded room for the anecdotal fiction writers and the experimental tale-spinners to play together where no one will get hurt. Read through this collection of four years worth of stories, and you'll see the line between the two isn't as clear as all that. And in the way the strongest species survive, it would seem the cross-pollination that happened over the years has strengthened both sides. --PopMatters.com Or mail a check for $12, made out to Elephant Rock Books, to THE2NDHAND, P.O. Box 479045, Chicago, IL 60647. FOR WEEKS ABOVE THE UMBRELLA To order, mail a check made out to Todd Dills or carefully concealed cash to: THE2NDHAND Or buy now using any major credit card via PayPal (allow a few weeks for delivery): |