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**PRINT: KIND OF LIKE BIRDS, by Mairead Case. The rules for teaching writing in the local juvie? 1. Don't talk about sex. 2. Or drugs. 3. Or therapy or suicide. The latest in our new mini-broadsheets series, with new fiction from Lydia Ship as well. We encourage active participation in distribution from any interested parties. Follow the main link above for more.

**PRINT: LIFE ON THE FRONTIER, by Chicago resident and native Kate Duva, is THE2NDHAND’s 33rd broadsheet. Duva's been plying the brains of THE2NDHAND readers for several years now, and her characteristic stylistic mix of arch-weird and arch-real in story makes for an explosively brittle manifestation of reality in this the longest story she's published in these halls, about a young woman's sojourn at what she sees as the edges of American civilization, Albuquerque, N.M., where she works as a nurse in state group homes for aging mentally disabled people. Catch Duva Feb. 8, 2010, at Whistler in Chicago at the second installment of our new reading series, So You Think You Have Nerves of Steel? This issue also features a short by THE2NDHAND coeditor C.T. Ballentine.

**WEB: CHARLIE's TRAIN, PART 6 Heather Palmer
FAQ: NEVER DINE WITH A PRO DOWSER Zachary Cole
WING & FLY: THE2NDHAND @ AWP, Steel, Brick, Whipsmill, Samurai | Todd Dills
SO LONG, IMAGINARY FRIENDS! David Gianatasio
IN THE AIRPORT Bradley Sands
TWO PRISONERS' WIVES Sean Ulman
HIDEOUS BOUNTY: THE FRONTIERSMEN | Andrew Davis
COTTON CANDY AND BURNING TIRES Alexis Thomas
SODIUM VAPOR Zachary Cole


CHARLIE's TRAIN, PART 6
---
from the novella by
Heather Palmer

In the previous installment, Charlie broke down, wrote, and had a phone conversation with one of the women he left behind. He seemed on a precipice overlooking something large and shiny and, perhaps, a little scary, too....

PART 1 | PART 2 | PART 3 | PART 4 | PART 5 | PART 7

The boss
Charlie submits the article to Lina when she says to him, -Well you're in a considerably better mood today.

--I have no idea why.

THE LEFT HAND: Soap, Lit

He stops, hates lies, even the mistake of them. --I might know why.

Lina's hand shoots up, palm out.

--I don't want to know. I hate the mopes and Lord knows you had 'em. Thank God you're over it. You are over it?

Her chin high, a boss to him and herself, waits. --Not entirely.

--Well that's good as anything, I guess. Lina points to the article.

--It'll do. It's not gold, but it's publishable.

Charlie hadn't expected approval from Lina. He swallows.

--So we're square?

He walks to the door, knowing she'll stop him.

--OK, wait. I'll give you steady work. But it won't be in the office. We don't have the money for that.

Charlie turns around, smiling-fool. --What kind of work?

--Any kind I need.

She pulls a five-inch stack of papers, rubber-banded tight to snap. --I need these edited, and if necessary, typed again. By Sunday.

Charlie takes it. Lina hands him another sheet of paper. --And this.

She frowns, lines crowd her eyes.

--It's some kind of complaint that I don't have the time, energy, whatever, to deal with this petty.... Just write him a letter or something.

Charlie takes the complaint, folds into quarters and pockets behind his notepad. He laughs. Lina shoots him a look.

--What?

--Seems I'm groomed for this.

--Letters?

--Complaints.

Lina shoos him and he laughs delighted.

--I've been dismissed. Doesn't matter. I have a breakfast to get to.

Lina grins despite herself.

--So go.

Prep-work
Dole wears slippers and a bleached T-shirt. The second-hand records time spent on buttons, laces, zippers. To invite Charlie he set his timer back a half hour. He should have invited Graves. The man had just called two days ago about his finances, asked if they should sell the hotel, some sort of trip he wants to take, something about Europe, a move, either permanent or temporary. Dole advised Graves not to sell. To hire a manager, rent the rooms as apartments, and close the hotel as such. It never occurred to Dole that Charlie stayed in this hotel until after the call.

Dole forgets his right sock, picks up the phone and tells the operator the number.

He invites Graves, checks the time: 8:34 a.m. Graves says he'd be delighted to come.

--But it's such short notice.

--I'm already laced-up and shaved. And hungry.

--I'm serving sausages.

--Great, my wife won't buy them, cholesterol.

--OK. Goodbye. He hangs up. He skips to the bathroom, races to the kitchen, relaxes watching the coffee drip. It's five of nine.

Out the kitchen window a man in a gray suit and strong gait approaches the door. It's Charlie. Dole takes sausage off the grill, panics. The table's not set; he hasn't started the toast. He shouts out the window.

--I'm not ready.

--Answer the door!

Dole does. Charlie grabs his shoulder.

--I'll help.

The two rush the stairs

--You make toast and I'll set the table. Charlie's eyes soften at the beads of sweat on Dole's brow.

PART 1 | PART 2 | PART 3 | PART 4 | PART 5 | PART 7

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