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**CURRENT PRINT: 318: Installment 25 features "318," by Birmingham's Nadria Tucker, the story of a stripper's daughter in prep for a beauty pageant and so much more. Also: "Big Doug Rides Torch," a short from Chicago's Jonathan Messinger's new Hiding Out collection.
**WEB: MIXTAPE: GET ME AWAY FROM HERE I'M DYING Marti Trgovich
MIXTAPE: PIANO BAR Luis Amate Perez
I WAS A PRETEEN NIGHTMARE Jill Summers
SPINETREX and MY ROOM Chris Bower
MIXTAPE: SUMMER WINDOW STORY Ling Ma
THE ANTIPURPOSE DRIVEN LIFE: BUSHBABY | Andrew Davis
FRIEDRICH NIETZSCHE WAITS FOR A DATE -- FINALE C.T. Ballentine

GET ME AWAY FROM HERE I'M DYING
---
Marti Trgovich

Based on the Belle and Sebastian song of the same title. THE2NDHAND's next Mixtape event will be held Thursday, October 4, in Brooklyn. Come out and see us.

My empty cup hit the floor and I shouted I had to go. Good-byes to the Spanish architect, the Italian actor, the English lawyer. "I'll be fine," I assured them with a firm, collected voice that I hoped eclipsed my doubt. This troublesome white light (a disco ball somewhere?) kept flashing, turning each clubgoer into his or her own variety of firefly, visible only in alternate seconds when the light spontaneously lit up, only to fade again. Where was I? I think it was Klub Lazne; I'd never wanted to come in the first place. Probably Tim had thought there'd be girls. Czech girls; he called them Helens, like Helen of Troy. Lips lacquered in pastel glosses, silky blonde hair swept up from bare shoulders, soft halter tops with silk ties strung round necks perfumed like ripe fruit.

I wanted out. The dance floor, sectioned off with ropes like a boxing ring, seemed to be in the middle of the room, so if I just followed the room's circumference, I'd have to locate a door. I collided with sweaty bodies grinding to tinny electronica, men with glistening smooth chests, girls so pretty they looked liked they couldn't spell their own names. "Is this Prague or hell?" I muttered, making my way through the mass of bodies for the third time. Funny, me making fun of the stupid pretty girls when I couldn't even find the door. But by that point I couldn't hold my thoughts for long, a phenomena precipitated by the consumption of far too many cocktails. But oh I'd had a good excuse. Misery: always a reason to drink more than necessary.

I quietly cursed the Spanish architect and Italian actor and English lawyer, all flaunting, waving their nationalities and hoity-toity professions like little flags. I was having none of it. "No, I have to go now." And where had Tim been during all this? I should have expected it. I lost him in a sea of people, the flash-flash light contorting faces, turning them into Picasso subjects, half-faces really, all twisted mouths and one-eyed, triangular pink cheeks, rendering the whole room one massive Cubist painting. I could make nothing out. My fourth twirl about the room, a flood of suburban-yellow light poured in from an opening door. And I ran toward it and slipped out the hallway, shielding my eyes from the brightness.

Fiction on Demand

Outside I hurried down a lamp-lit street, clutching my bag to my chest. Ahead two stone statues stood black against a backdrop of a blue moonlit building and across the street a golden lamp spun a puddle of light onto the cobblestones, stressing their emptiness. I wondered again about Tim: Why would he have disappeared on me? I knew the answer; some things it's easier not to admit. Perhaps he'd gone back to the pension, jealous maybe, if he saw me talking to the Spanish architect, Italian actor, English lawyer. Right, right. Lies, lies.

I took the absence of a cab as a sign that I should wander across the bridge toward Mala Strana. My feet glided over slippery cobblestones and I watched, with that drunken spinning sensation afloat in my head, the night form around me: the spire of Prague Castle that grew to a lighted point in the inky sky, the globe-shaped lampposts that burned like reachable suns, a crouching bum whose silhouette rose to full stature as his violin stick took flight in the air. And then, the sound of music.

This was a bad omen. I'd been having this dream over and over: My sides had slits in them like that violin. Later I saw the Man Ray photograph, Violin of Ingres, where the woman has the same problem, and thought it was a lot like that. I'd drink, expecting two waterfalls to rush through the openings in my sides, but nothing. I'd take a pocket knife and cut off the skin around the slits. The skin always peeled easy, the consistency of a fungus. I'd hold the pieces in my hands, their grooved lines like the underbelly of a mushroom top. A primitive urge to eat it would wash over me, followed by disgust at the prospect of eating my own skin. I chalked up the dream to thinking too much about my father's surgery: a big belly smothered in red iodine, scalpels digging into its thickness, fighting against the strength of flesh, him back home in Chicago, still with hope. Woozy, I made a mental list:

Uncle John, d. 1987, brain cancer

Grandpa, d. 1992, lung cancer

Aunt Matilda, d. 2001, ovarian cancer

All this thinking about cancer was making me nervous. I lit a cigarette. The bum, aware that I had passed without dropping any crowns into his violin case, stopped playing . I stumbled the rest of the way, attempting to blow smoke rings at the sky. I added this to the list of simple things I had deemed myself biologically incapable of doing: whistling, winking, jogging. At the foot of the bridge I flagged a cab and got in.

"Hi, Kay Stirsa, prosim."

"Wha?"

"Kay Strasa?"

"Heh?"

"Kay Stusa?"

"Ah! Ke Stirce. Rozumim."

When you don't speak the language, it is a great joy to be understood at all. Out the open window my flown cigarette sparked onto the highway, four lanes split by tram tracks. I was reminded of home; in Chicago the El runs through the middle of the Kennedy, racing the cars. The driver dropped me at the Ke Stirce tram stop, the only landmark that I could think to ask for, and I walked through quiet streets with extinguished store lights toward my pension, which stood at the end of a hill on a street whose name I could not, and cannot, recall.

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